Slept On Gems John Robinson Mf Doom

The entire now and later, you manage to find an full of character evidence from a number of living ago that you in some way overslept on. And it's yet a mercifulness in the same way as that happens! Such is the slice for me with "WHO IS THIS MAN?", the 2008 evidence by an emcee named John Robinson. And that's a preferably damn legit question for example I can't recall ever hearing about this guy in advance or as soon as but the facts is in the pudding as this man highly packs skills on the mic. His display is amply high in understood character and he sounds like no matter which with Roc Marciano and MC Paul Barman. The carry from MF Preordain is in the same way easy to relate as he has got a flair for spitting bars inside on the multies and displays a similarity not straight consider of humor in his rhymes. The evidence is in the same way full of display skits with changed (sampled) people discussing John Robinson's character, best of the times set over hard instrumentals.

Therefore the substitute of picking vitality but beats from the masked Buffer Villainz's "Mystery HERBZ" suite comes off as touching logic and works out great, with Robinson sounding natural spitting over these large instrumentals. Between this and Ghostface's heavily praised "FISHSCALE" LP, tracks from that particular Preordain collection has been used a lot. There's no question that Preordain was talented in this project, kind it his standard label of sanction, but I can extravagant it being a diminutive distressing for individuals who were or else well friendly with "Mystery Herbz". Very much, that's innovative giving off that I overslept on, which I will finally get roughly too, but with so a choice of rappers ripping these songs (Masta Ace is next-door in line), I am pleasant that's the slice for me. The only feature that appears on both this and Ghost's LP is the disclose for "Indy 102" which was set to a song called "Jellyfish" on "Fishscale". I never liked the latter and used to scolding it on the disclose, but Robinson's typescript is a lot better and I think the Spirit feature was disagreeably miscellaneous.

"Production-wise, this evidence is vintage Preordain and absurdly determined all the way nonstop. The key in influences comes from ballet and soul, best of the tracks be marked with that slap illness to them but topped with drums of fleeting. Heavy bass-lines, latin percussion, hearing guitars, hard cuts (performed by distinctively DJ Rhettmatic), flutes, synths, keyboards and pianos all speed read in and out of the soundscapes and are put together with DOOM's touching consider of sloppiness. Robinson takes on the tracks with good taste, as his display and flow forms a touching marriage with these tracks. It's hard to extravagant how he would disc over faraway styles of beats for example this sounds so natural. Submit are some icy concepts on offer too, as well the classic braggadocious rhymes, we gets to deduce who this man is nonstop joints as surprising in innovation and performance as "Fade Rap", "Invisible Man" and "The Understanding" and ladies jams like the dope "Submit She Goes". Robinson has no problem holding down an finish evidence by himself, I'll tell you that much. Submit are a few set appearing on offer dispel, generally Preordain affiliates that are diminutive relaxed sovereign of his changed projects. We get a great verse from female rapper Stahr, a verse by get-together called Invisible Handz and suitable vocals vocal by Orah and Tiffany Paige on the two smoothest joints of the evidence. Smooth MF Preordain himself appears on the final (optional extra) feature, "Sorcerers", and as to be expected this duo sounds like they potentially may possibly form a group together; in faraway words, the chemistry on the mic is as noticeable as that with Robinson as MC and Preordain as producer.

"WHO IS THIS MAN?" is a banging hip-hop evidence for decisive, a valid great change by a debuting rapper. John Robinson managed to clutch a batch of or else popular instrumentals and make them disc as if they were association made for him. It's not a touching LP, but acquaint with are incredibly no weak spots, and with 13 tracks and a frank time of 43 minutes, it never gets stationary. I'm looking soccer player to hearing spare stuff from this man and the word is that he in the same way has a project out with Lewis Parker, innovative very dope producer so that will be exhilarating to say the least. You can demand "Who is This Man?" on CD @ AMAZON or UGHH although the LP seems to be out of fake right now.